Gear

In 2025 I’ve started working primarily out of Champion Street Sound Studios in Bellingham, WA. So all of my recording equipment is housed there - however all my instruments are available for use on any session I work. Backline rentals are also available for sessions, shows, or tours.

Instruments

  • Guitars

    • 1982 Yamaha SBG500 (Upgraded with Fralin Humbuckers)

    • 1980’s Peavey T-60 (Upgraded w/ Sperzel Locking Tuners and Fralin Big Single 43’s)

    • Franken-Strat (Upgraded w/ Sperzel Locking Tuners and Porter Vintage Custom Pickups)

    • Upgraded LTD P/J Bass w/ Aguilar Pickups

  • Amps

    • 1990s Peavey VTM60

    • 1970s Fender Bassman 50 (Modded)

    • Fender ‘65 Twin Reverb Reissue (Head Conversion)

    • Ampeg V4-B Bass Amp

  • Speaker Cabinets

    • 2x12” Custom Closed-Back Guitar Speaker Cab w/ WGS G12C & Reaper 50

    • 2x12” Custom Open-Back Guitar Speaker Cab w/ WGS G12C/S

    • 4x12” Mills Acoustic Undersized Guitar Speaker Cab w/ Eminence Speakers

    • 4x12” Avatar Straight Guitar Speaker Cab Loaded w/ 2 Celestion V30s, 1 WGS ET65, and 1 Mojotone BV-30v Speakers

    • 4x12” Custom Angled Guitar Speaker Cab Loaded w/ 2 WGS Green Beret and 2 WGS Reaper Speakers

    • 4x10” TC Electronics Bass Speaker Cab w/ Eminence Speakers

    • 2x12” 440 Live Bass Speaker w/ FaitalPRO 12FE300 Speakers

  • Pedals

    • Delay & Reverb

      • Catalinbread Belle Epoch Delay

      • Empress Effects Reverb

      • EMMA Electronic Navigator Delay

      • Squarewave SQ-103 Delay (great boutique bucket-brigade delay)

      • Boss DD-5 Delay

      • Boss RV-6

      • TC Electronics Hall of Fame V1

      • Line 6 DL-4

      • Strymon El Capistan V1

      • Walrus Audio Fathoms

      • Walrus Audio ARP-87

    • Modulation

      • Walrus Julia Chorus

      • Boss CE-5 Chorus

      • Boss TR-2 Tremolo

      • Catalinbread Callisto Chorus

    • Saturation

      • Boss OD-3

      • Wampler Tumnus (Klon Clone)

      • Caroline Guitar Company Shigeharu Octave Fuzz

      • Revv G3 Distortion

      • Ibanez SM7 Smashbox

      • Source Audio Aftershock Bass Distortion

      • Darkglass Alpha Omicron Bass Preamp/OD

      • Browne Amplification T4 Fuzz

      • Browne Amplification Protein Dual Drive

      • PedalPalFX PAL959 Plexi Emulator

      • Science Amplification Mother Preamp Pedal by Electronic Audio Experiments

      • Electronic Audio Experiments Longsword Distortion

    • Dynamics

      • Wampler Ego Mini Compressor

      • JHS Whitey Tighty

      • Barber Compact Tone Press Compressor

      • Diamond Comp / EQ

  • Drums

    • 1965 Rogers “Holiday” Kit

      • 22x14” Kick, 13x9 & 16x16” Toms

    • 1967 Rogers “Holiday” Kit

      • 20x14” Kick, 12x8, 13x9 & 16x16” Toms

    • 1970 Ludwig “Big Beat” Kit

      • 22x14” Kick, 12x8, 13x9, & 16x16” Toms

    • 1950’s Slingerland Kit

      • 24x14” Kick, 13x10 & 16x16” Toms

    • Late 60’s George Hayman “Vibrasonic” Kit

      • 22x14” Kick, 13x9 & 16x16” Toms

    • 1968 Rogers “Dynasonic” Snare

      • 14x5”

      • Chrome Over Brass

    • 1960s Ludwig “Supraphonic” Snare

      • 14x5”

    • 1980s Ludwig “Acrolite” Snare

      • 14x5”

    • 1990s Pearl Free-Floating Snare

      • 14x6.5”

      • Brass Shell

    • 1970s Ludwig “Standard” Snare

      • 14x5”

      • Maple/Poplar/Maple Construction

    • Late 1960s George Hayman “Vibrasonic” Snare

      • 14x5”

      • Baltic Birch Construction

  • Cymbals

    • 21” Zildjian K Sweet Ride

    • 20” Zildjian K Custom Dark Ride

    • 19” Cymbal and Gong Holy Grail Crash/Ride

    • 18” Meinl 18” Byzance Jazz Thin Crash

    • 18” Zildjian K Thin Sweet Crash

    • 14” Zildjian K Custom Dark Hi Hats

    • Other Assorted Cymbals

  • Synths

    • Yamaha SY77 (successor to the venerable DX7, but easier to program & has digital sampling based synthesis in addition to the DX7 FM synthesis.)